Friday Night Lights, the story of a West Texas high school football team and surrounding community was originally a nonfiction book by HG Bissinger published in 1990. A film adaptation, co-written and directed by Peter Berg, followed in 2004. A television series created and executive produced by Berg, but bearing little overt resemblance to either the book or the film, began airing in 2006.
The show had one full season on NBC. The production of its second was cut short when the Writer's Guild went on strike in November 2007. When the strike resolved in February 2008, some shows which had been interrupted went back into production, though Friday Night Lights was not one of them. This made NBC's subsequent announcement that it had renewed the show for a third season, to be co-financed with DirecTV, a surprise. The satellite tv service aired the new episodes first. The third season began on NBC in January, 2009. In March, NBC announced that it and DirecTV would share the costs of a fourth and fifth season.
In retrospect, it was probably best that the show never completed that second season, because it's not very good. Even the season's defenders don't think much of the murder subplot, but I think it says a lot that the murder subplot isn't the most ridiculous thing that happens. I'll go into more detail later on, though, when I watch the season again. One of the best things the show ever did was pick up at season three as though most of season 2 hadn't happened. I don't mean that in a snarky way, because as much as I love season 1, seasons 3-5 of Friday Night Lights is the show at it's sustained best. It's a miracle of commerce that the show even got a three more seasons, but what the cast and crew did with those seasons is a creative miracle. The show isn't for all tastes (aside from all the football, it's an irony-free melodrama) but if you're on its wavelength it lands hard. The show is a delivery device for cathartic crying.
Calling Friday Night Lights a franchise requires a fair amount of qualification. For spawning a film and five-season television series, the book doesn't have much of a narrative. It follows the Permian Panthers through a football season, but most of it is devoted to describing the history and politics of its Midland-Odessa setting. The portrayal is not especially flattering, either. Apparently, threats of physical violence dissuaded Bissinger from making return trips to Odessa after the book was published. He also published a short follow-up in 2012 that focused on his relationship with one of the book's characters in the years since publication.
I recall the film as a lesson in the dangers of faithful adaptation. It uses the book's major narrative events, but it's the local anthropology that is the more memorable and defining aspect of the book. I remember the film also pulling some punches that the book does not, perhaps out of respect for its still-living, real-life characters. The television series solved both shortcomings. It fictionalized the setting and characters and is also longer and more expansive, allowing the book's more subtle and/or damning themes to be more effectively translated.
Friday Night Lights is also an improbable multimedia entertainment brand in that its themes more often have to do with failure and loss, rather than triumph. A premise of the book is that each year the high school football team carries all the hopes and dreams of a community that doesn't have much else going for it. The team's coaches and players are the local royalty when they're winning, but the consequences of loss can be brutal. For all the adoration the town has for team's players, all three versions of the story make life for ex-players seem pretty bleak.
In spite of the differences, there's still continuity between the three incarnations of Friday Night Lights, and part of this project will be to trace their common themes. I plan to cover the book, film and series. Since the show is the longest, most time consuming piece, most of the project will be devoted to that. I'll post at least brief summaries and observations about each episode, and I do the same for each chapter of the book, rather than tackle it as a whole.
I'm going to rely mainly on the broadcast versions of the show. The first season, and to lesser extents the second and third, was scored with distinctive music licensed from a lot of bands, but primarily Explosions in the Sky (who also wrote original music for the film, and three-quarters of whom are from the region of Texas where Friday Night Lights takes place). For the DVD releases, though, a lot of this music was re-recorded (a Death Cab For Cutie song prominently used in the third season was also replaced for the DVD release), and the tone and effect of some scenes is somewhat altered as a result. I'll note especially significant uses of licensed music, and may also do some spot checks with the DVDs and streaming versions to see if it was retained.
